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张 建 萍.将计就计的迷宫转向 ——菲利普?罗斯的非虚构小说的自传性策略解读[J].南京邮电大学学报(社会科学版),2013,(2):80~86
将计就计的迷宫转向 ——菲利普?罗斯的非虚构小说的自传性策略解读
Countermining and turn in maze:autobiographical strategies in Philip Roth's nonfiction novels
  
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中文关键词:  菲利普?罗斯;迷宫;将计就计  自传性策略
英文关键词:Philip Roth  maze  countermining  autobiographical strategies
基金项目:中央高校基本科研业务费中国民航大学专项“后现代视阈中流散身份的惑与解——菲利普?罗斯‘祖克曼系列’作品研究”(ZXH2012F009)
作者单位
张 建 萍 中国民航大学 外国语学院 
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中文摘要:
      在其非虚构小说《事实》、《欺骗》、《遗产》和《夏洛克的行动》出版之前,菲利普?罗斯就被外界贴上了自传作家的标签。虽然他曾数次公开否认其作品与个人生活的关系,但收效甚微。随着20世纪非虚构小说创作的兴起,罗斯将计就计借助这种集“虚构”和“写实”于一体的文学形式创作作品。但以往批判罗斯作品“自传性”的外界在“自传”性强的非虚构类作品中却迷失了。这是他的两种自传性策略所致,即自传之于现实的真假和身份之于作者的虚实两种写作策略。无论如何,罗斯这种以坦诚的姿态满足和回应长期以来外界对其作品“自传性”的窥探的方式是其
英文摘要:
      Philip Roth's nonfictions series include The Facts: A Novelist's Autobiography, Deception:A Novel, Patrimony: A True Story and Operation Shylock:A Confession. These four works are regarded as the turning point in his writing. Before these books, he was annoyed deeply by the criticisms from the reader's request that his works are the vivid reflection of his life and thought. Influenced by the wave of nonfictions characterized with fictional and realistic factors, Roth turns the outside criticism against them and takes great advantage of this literature style. Nonfiction is characterized by fidelity to the reality. But readers lost in the maze could not make sure what they learn from them are the truth of Roth. Roth achieves this goal by two writing strategies. They are the contradictions between autobiography and reality, identities of the narrator and the author, which also marks Roth's maturity in writing strategies.
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