| 赵崇璧.网络镜像时代:从自我表演到众语狂欢[J].南京邮电大学学报(社会科学版）,2016,(01):23~30 |
| 网络镜像时代:从自我表演到众语狂欢 |
| Image of network：From self-presentation to revelry language |
| |
| DOI： |
| 中文关键词: 网络媒介 镜像 幻象 纸质媒介 表演性 |
| 英文关键词:Image of network：From self-presentation to revelry language |
| 基金项目: |
|
| 摘要点击次数: |
| 全文下载次数: |
| 中文摘要: |
| 网络正在形成镜像化的世界。网络镜像即重重幻象所编织的迷宫，而真理藏匿其间，隐而不显。幻象的本质在于，人因无法全面地把握事物而导致言说的“失真”，由此汇聚成虚幻重影。纸质媒介是超验模式，言说具有绝对性和唯一性，并形成与倾听的对立，故言说被赋予真理性；而网络媒介是对话模式，言说具有片面性和相对性，并形成与倾听的互换，故言说被赋予虚幻性。网络言说折射出现代人的自我表演欲，它对立于生活实际，是关于自我的想象性呈现。因而，网络镜像显现为语言的狂欢，将严肃的生活转换成喧嚣的游戏。在这意义上，网络镜像意味着一个全新时代的来临。 |
| 英文摘要: |
| The network is forming a mirror image of the world. Network mirror image is a maze of illusion, but the truth is hidden, implicit rather than explicit. The essence of illusion is that people can not fully grasp things, which leads to the “distortion” of expression that further results in illusory ghosts. Paper media is of the Apocalypse mode, with its expression being absolute and unique, and opposite to listening, so it is endowed with truth. On the other hand, network media is of dialogue mode, with its expression being characterized by one-sidedness and relativity, and interactive with listening, so it was endowed with illusion. Network expression reflects the self-performance desire of modern people, and it is a self-imaginative presentation. As a result, network mirror image appears as a carnival of the language, converting life into games. In this sense, the network mirror image means a new era. |
| 查看全文 查看/发表评论 下载PDF阅读器 |
| 关闭 |
|
|
|