| 王强.中国现代诗画艺术的传统路径依赖——以“毛泽东诗意山水画”和丰子恺“抒情漫画”为例[J].南京邮电大学学报(社会科学版）,2018,(05):95~102 |
| 中国现代诗画艺术的传统路径依赖——以“毛泽东诗意山水画”和丰子恺“抒情漫画”为例 |
| Path dependence of Chinese modern poetic landscape paintings: A case study of “landscape painting from Mao Zedong’s Poem”and Feng Zikai’s “lyric cartoon” |
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| 中文关键词: 现代诗画 山水画 抒情漫画 诗意传统 |
| 英文关键词:modern poetic painting landscape painting lyric cartoon poetic tradition |
| 基金项目:闽南师范大学科研项目“跨媒介与可视化：中国新诗‘能见度’提升的传播路径研究”（MS201735） |
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| 中文摘要: |
| 作为现代画家“图解新诗”的代表性创作，“毛泽东诗意山水画”和丰子恺“抒情漫画”既在传统形式中植入了新质，表现了现代诗情和意境，又以“云山烟水”的文人画素材与“萧疏淡远”的诗意图式，彰显出古典诗画的深刻影响，成为中国诗画传统变异性传承的两种典型范式。 |
| 英文摘要: |
| As representative works of modern painters’ “diagramming modern poetry”,“landscape painting from Mao Zedong’s Poem” and Feng Zikai’s “lyric Cartoon” have not only been implanted with new quality in the traditional form, showing modern poetic and artistic conception, but also have highlighted the profound effect of classical poetry and painting with literary painting elements and subtle yet far reaching poetic schema. They are the two kinds of typical paradigms of the variation inheritance of Chinese poetic paintings. |
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