| 杨杰.从“他者阐释”走向“主体创新”
——改革开放40年文艺理论的嬗变[J].南京邮电大学学报(社会科学版）,2018,(06):1~5 |
| 从“他者阐释”走向“主体创新”
——改革开放40年文艺理论的嬗变 |
| From “others’ explanation” to “subject’s innovation”: Evolution of literary theories in the four decades of Reform and Opening up |
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| DOI： |
| 中文关键词: 文艺理论 他者阐释 主体创新 改革开放40年 |
| 英文关键词:literary theory others’ interpretation subject’s innovation four decades of Reform and Opening up |
| 基金项目:国家社科基金重大招标项目“新时期文艺理论建设与文艺批评研究”（12&ZD013） |
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| 中文摘要: |
| 文化自信源于文化主体的创新，主体创新又以文化自觉为前提。文艺理论的建构依赖于研究主体的理论创新和实践创新。“始于学步，终于创新”是改革开放40年来文艺理论发展的逻辑脉络。此间，文艺理论逐渐摆脱了诸多“他者”的“强制阐释”的束缚,通过不断反思和校正前进航标，步入了构建具有中国特色的文艺理论话语体系的应有轨道。 |
| 英文摘要: |
| Cultural self confidence stems from the innovation of cultural subjects, and subject innovation is based on cultural self consciousness. The construction of literary theory relies on the theoretical and practical innovation of research subjects. “Beginning from learning and ending with innovation” is the logical context for the development of literary theories in the four decades of Reform and Opening up. During this period, literary theories have gradually evolved from the shackles of the “mandatory interpretation” of various “others” and entered the proper track of constructing the literary theory discourse system with Chinese characteristics through continuous reflection and correction. |
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