| 陈琳.从《无情的妖女》的“娇气”文风看济慈的男性气质焦虑[J].南京邮电大学学报(社会科学版）,2019,21(5):81~92 |
| 从《无情的妖女》的“娇气”文风看济慈的男性气质焦虑 |
| On Keats’ anxiety of masculinities embodied in the “effeminate style” of La Belle Dame sans Merci |
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| 中文关键词: 《无情的妖女》 济慈 男性气质 娇气文风 |
| 英文关键词:La Belle Dame sans Merci John Keats masculinities, effeminate style |
| 基金项目:2018年江苏省哲学社会科学研究重点项目“基于文本发掘的英国浪漫派诗歌意象研究”（2018SJ2DI132）；2017年江苏省精品工程（外语人才）项目“英国浪漫主义诗歌高频次统计及内涵研究”（17jsyw-76） |
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| 中文摘要: |
| 在英国浪漫主义文学中，“美学”与“性别”形成了一种隐喻关系，这一点在浪漫派诗人济慈的诗作中有最鲜明的体现。济慈本人曾被认为缺少男性气概，而他的诗作也被指认为存在一种“娇气”文风，缺乏力量和魄力。从济慈诗作《无情的妖女》中的骑士入手，考察诗中呈现的三个空间、三种美学与三种男性气质的对应关系，分析济慈“娇气”文风与“消极感受力”创作之间的联系，并结合18世纪末、19世纪初英国的历史文化语境，揭示济慈的男性气质焦虑。 |
| 英文摘要: |
| In British romantic literature, gender is often used as a metaphor of aesthetic, which finds its best manifestation in Keats poetry. Keats himself and his poetry are considered effeminate and deficient in masculine energy. By examining his famous poem La Belle Dame sans Merci from the perspective of the knight, this paper analyzes the juxtaposition and parallel between three worlds, three types of aesthetics and three kinds of masculinities in the poem. Based on the analysis, it aims to reveal his “effeminate” style and the relations between the style and his poetics. It also probes into Keats’ anxiety of masculinity under the specific cultural and historical context of the late 18th and early 19th century Britain. |
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