| 阮艳萍.微时代微电影微文化[J].南京邮电大学学报(社会科学版）,2015,(01):10~14 |
| 微时代微电影微文化 |
| Micro film and micro culture in micro era |
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| DOI： |
| 中文关键词: 微电影 微时代 微文化 新媒介 |
| 英文关键词:micro film micro era micro culture new media |
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| 中文摘要: |
| 微时代的到来与微电影的勃兴互为表里。微时代的崭新媒介技术和手段，把我们认识的世界和对世界的认识过程变得和从前很不一样,为我们提供一种身体甚至心智之外的“精神”现实。媒介技术不仅成为我们了解和再现社会及其文化的一种工具，也成为一个切入点。在这个时代中应运而生的微电影在表达方面有着自身的特征，那就是：短（碎片叙事）、平（浅表达）、快（敏锐的即兴创作）。这既是微电影的艺术特征，亦是这个时代的文化特征。微电影以浓缩的“精微”突破了传统电影的线性叙事和固定观看模式，以一种新的步态走入我们生活的各种时间形态中，这使电影艺术走下原先高高在上的纯粹的审美神坛，走出影院，以平常的姿态走进了赛博空间，走进大众之间，带来了一种新的艺术样式，也使社会文化的转型在这里写下了重彩的一笔。 |
| 英文摘要: |
| The arrival of micro film is accompanied with micro era. The new media technology and means in micro era makes us to understand the world in a very different way, providing us with a “spiritual” reality beyond our body, or even our mind. Media technology is not only a tool, but also a breakthrough point for us to understand and represent the society and social culture. Micro film emerging in micro era has its own characteristics, which is short (fragment narrative), flat (superficial expression), and fast (sensitive improvisation). This is not only the art characteristics of micro film, but also the cultural characteristics of this era. Micro film with its concentrated “delicacy and smallness” that breaks through traditional linear narrative movie and fixed viewing mode, is stepping into our lives, and making the film art to go down the superior altar, step out of the theater to cyberspace and the public, bringing a new kind of movie art. Besides, it’s transforming the social culture as well. |
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